Description
Bear’s Sonic Journals: Johnny Cash, At The Carousel Ballroom, April 24 1968 is an historic and never-heard live concert recorded in San Francisco by innovative sound wizard Owsley Stanley. Captured in the heart of Haight-Ashbury, just days before the release of Cash’s iconic At Folsom Prison album (and over six months before the arrival of the equally revered At San Quentin), At The Carousel Ballroom serves as a third essential – and wholly unique – live document from the era, a moment of cultural collision, with Cash leaning into songs about society’s outcasts, while playing a venue operated by The Jefferson Airplane and Grateful Dead.
At The Carousel Ballroom captures Cash at the height of his charismatic powers, in playful and powerful dialogue with his then-new bride June Carter, and backed by his legendary band The Tennessee Three: guitarist Luther Perkins, bassist Marshall Grant and drummer W.S. Holland. His set list that evening diverged from other concerts of the time, as Cash chose to cover two Bob Dylan compositions (“Don’t Think Twice It’s Alright,” and his earliest known recording of “One Too Many Mornings”) and perform songs of the overlooked and under-served such as “The Ballad of Ira Hayes.”
