Holly Golightly has made over 20 albums and appeared on countless more, but she never had a recording experience like the one she had making the new Holly Golightly and the Brokeoffs album.
Don’t expect All Her Fault, however, to sound radically different from their earlier releases. It’s still a raw, rough-hewn stew of twisted roots music forged by the duo’s distinct musical interests — she listens to late ’50s/early ’60s R&B and he loves rock ’n’ roll. “I’m not looking to achieve something that hasn’t been achieved before,” she confesses. “We just what we do. The songs are really all that changes.”
Full of colorful characters and frank commentary, the songs on All Her Fault rank among her strongest. Prime examples are the tunes that bookend the album: “SLC” and “King Lee.” “SLC” opens the disc with a satiric look at a certain Utah city “where you ain’t gonna have a good time” due to its restrictive environment. By contrast, the closing “King Lee” celebrates personal freedom as it salutes the uninhabited lifestyle of an old man who lives near Golightly, who describes him an “entrepreneur” although she isn’t quite sure what he does.
Golightly and Lawyer Dave stock the rest of the record with a rambunctious set of home-brewed backwoods music — from the eerie swamp rocker “For All That Ails You” to “Can’t Pretend” (which resembles T. Rex on a rockabilly bender), while “The Best” suggests a lullaby that just might inspire nightmares.